'I love you', said the man.

'Strange that I feel none the better for it', said the woman.

A.R. Orage, On Love

two not one

I overheard a barista at Starbucks yesterday. She said it hurt being broken up with, but that she was okay because it hadn't been "real" anyway. Whatever it was, it wasn't real. I don't know. It seems to me that most romantic relationships in general take on a quality of the unreal. They employ fantasy and imagination. They thrive on ideas like the past and the future. They exploit the emotions. Sometimes they're even validated by a certain chemical attraction - if you're lucky. Our individual experiences of the same event can vary so greatly it's questionable whether two individuals are in the same relationship at all. I've experienced this. And jumping from one to another is merely swapping one unreality for a different, momentarily more tantalizing one.

So where does the truth lie? Somewhere between these two perspectives or completely outside of it? And can two people ever live together so harmoniously and in the moment that their experiences coincide? Does it even matter? Does the animal part of me, driven by its own machinery, give a fig? Two are not one. It's much easier for me to grasp some notion of harmony and oneness on a macro level. Here in the dirt, the water and salt of the body, or two bodies, I find it almost impossible to imagine.

In the past three months I've attended two Guitar Craft courses. One in Seattle the other in Barcelona. There seem to be more opportunities for silence on courses (remember I've only been to two) than off. It arrives and takes hold of the room. Stops my tongue wagging. Reminds me to listen. That I can listen. Even in a room erupting with sound.

I fell into the role of silence nazi with relative ease. During one of the solo performances (given by Patrick) a rude individual at the far end of the table had the audacity to pour themselves a glass of water in the middle of his piece. It was highly audible. Downright loud. I leaned in to see who this person was but stopped short. The performance ended. Conversation ensued. I heard a voice across the room and realized. The person I had been judging was a guest on the course. But not just any guest, a child. Greg had brought his two lovely children to visit. I was ashamed, deeply.

It was hard then not to ask the question. What would happen if we treated each other with the same patience and tenderness we treat children?

It's all too easy to forget this question or to formulate an answer to it that suits our laziness and fear more than our sense of humanity and compassion. I nannied today and witnessed, with complete, unadulterated acceptance and love, a child being themselves. On my way home I thought about how very lucky I am for this experience and was forced to ask my self yet another question. Have I ever loved and accepted, fully, another person without judgment, without expectation, without exception. I've taken stock of all those I hold closest to me and don't think so. No. This is partly because I, along with most children, have been hurt by adults my whole life. But this is not the point.

The point is that I am very, very sorry. I am ashamed to my core. And I'm going to work on that.

venice 2

It will never again be safe for you to leave the house. You might see me. (I am everywhere.) And if you did, your face would melt off. Or you would turn to stone. Or perhaps you are already stone.

I'm watching a man pick through the feathers of a blue Macaw - who may or may not be watching me back with his black eye. He edges onto the man's shoulder as a big dog nears. The dog (a Great Dane?) still has its balls. The Macaw's name is Rocky. Rocky's owner enjoys, as I do, the reactions of passerby's. I like seeing children reach out to touch the giant bird. They're so brave. He likes pretty women. Rocky is 21. Rocky may bury his owner. Macaws have a rather long life-expectancy. This one will live forever. Like Bunnicula. Or he'll die only to rise up again like a Phoenix. Like my heart in a blaze of fire and fury. You should be there the moment it happens. The fireworks. The color. Everything awash with love. It will be beautiful. When I'm ready and not until then.

Until then I amuse myself with other people's stories and try to fulfill my obligations honorably. I look down on a small patch of sidewalk from a table in a dirty cafe on Washington and pretend I don't see you there.

animal sleep

shy and resistant he places his 
head in my hand for a scratch.
having woken from animal sleep.
my basic weakness is this: your
hand any hand reaching I need to be
touched and to touch everything
with love. with curiosity. my 
need to know scratched tenderly.

children 1

if I give them what they want, they promise to forgive me. that's how much I mean to them. paper boats floating. then tipped over. each with its own little captain. and if I cry it makes them feel better. it makes their hope more buoyant. softens the blow. I resist placing my happiness in the hands of others. this makes me "selfish." my boat is supposed to be surrendered completely. without them even asking.

I am grateful. I couldn't ask for more. I won't.

except everyone's desire is to be known. as close as you can come anyway. what this indicates is complicated. played out so many ways. I remember going through the bible in Ms. Robertson's class. so and so knew so and so. that was short for sex.

maybe the desire to get close. closer. everyone's desire also to be loved. to form relationships. connections. inserting our lives tenderly sometimes violently into the stories of others. and we're not alone. we're a little closer to something. maybe ourselves.

sometimes I am lonely without realizing it. sometimes I catch myself on the brink of no longer being lonely. and that person in me wants to draw closer and is not ashamed. of this need.

I'd like to joke at myself and my language my loneliness, because what I've just written has made me fidgety and vulnerable.

I won't because sometimes we shoot for honesty and fall short. Then we go home and write about it, bravely resisting deletion.

force

tonight I am a prisoner in this house. paper mache breasts exposed. 
exonerate my true body under the light, words betray us. not birth-
mark fingerprints on a mirror or extra glasses emptied then edited
out or swallowed down it wasn't my real heart that stopped beating
but another. layers of glue and smeared headlines. a woman kid-
napped. taken into custody gunned down choking. on silence

P.

the story of a girl silhouetted by lamplight and mist. smoke swirling from her lit cigarette. a blotted scrap of paper she holds up to the light (trying to decipher its code). she thinks it means nothing and is right.

old entry which somehow feels relevant today

I prefer the smell of chai to the man sitting in front of me. This is an immediate preference. I'm drinking a chai and the man in front of me reeks of patchouli, hair gel and salty food - food that would give me indigestion were I to eat it. I have indigestion anyway. And my body doesn't fold like it used to. I like the familiarity of buttons. This too is immediate. Right now I prefer the word button to zipper. Tomorrow I might fancy a different word, Salat perhaps, in Farsi or something else I saw while sitting idly and somewhat displaced in a book store. I'm tired now so I don't mind lingering on tastes. My body doesn't fold like it used to. A bend at the hip or waist creates an uncomfortable bubble of flesh-not-muscle. If you were to fold me in half you'd find it impossible to create a single crease. It would instead be a succession of three or four. 

A man in a jeep (on his way to me, wondering if I'm mad at him for being late) doesn't walk like others. He lopes. He'll be loping his way here in a few minutes. Maybe relationships themselves are nothing but this. Not what is said, not what's done and undone by time, stepped in or out of, but the timing of the entrance itself - into my life and then into this book store. Relationships carry their own unique rhythms and pauses, starts and stops.  I am drawn to and repelled constantly by romantic love. How infuriating always winning and losing each other to time and circumstance. One day you might find me searching endlessly for those red, beaded earrings I swore I left atop the dresser (to the right of my grandfather's picture and to the left of my hairbrush, also tangled and floating, strand by strand in time). You might commit yourself to writing your name on boxes, annotating carefully their contents only to later refill them with something different. The permanent marker marks remain, everything else changed.

public and private

the doors were open. were dusty.

you had already squeaked your way back through the mud.
with the others. with your instruments.

lamp-light from the street outside. a lone chair.
a cello. I closed my eyes.

whatever you heard, you heard from the proper distance -
(perhaps walking away) and it was me as I am. 

not everything else.

Dancing at the Righteous Room

Somewhere it is written, people are supposed to be sad when something breaks. If you accept this without question, you're missing out. There is some utility and joy to be found, even in broken things, if one is only open to it. Loss is a poor excuse for sadness, and an even poorer excuse for lack of creativity and imagination.

This is how, despite our great loss, we found ourselves dancing to the Smiths in an almost-empty bar in the middle of the day. How appropriate, how phoenix-like, how poetic - our voices rising in unison to the chorus, "why do I give valuable time to people who don't care if I live or die."

Together we can stamp out world hunger, trigger events that will eventually lead to world peace, tip the scales of unhappiness in the universe and replace thousands of haters with lovers. Together we can do all this. You and I. Cannot be replaced, dear. Not with sadness.

I slow down to look 
at wrecks on the interstate.
Some I even love.

the thirteenth

I have a token in my pocket worth three mints or three packets of hi-c in the psychiatric ward of Grady Hospital. Five days ago that building was just part of the skyline to me. Atlanta keeps offering up new views. I'll only thank it for the privilege if it keeps my friend off the streets.

I've always believed, stubbornly, that my love could change things - that it's strong enough, pure enough. I must be either extremely naive, egotistical, or weak.

for touching:

I'm a prickle pear. a pineapple. a caterpillar with feelers all extended. I feel everything and you can't stop me. abuse me if you must but feeling I keep on. the fingers of my heart open to receive. chest bleeding. is heaving. my stomach hurts like hell. all is well and I hurt. all is well and I keep keeping. all is well.

touching: your mouth opened. your heart and nothing broke that wasn't built to break. let us not be afraid. release our untouchables. to touch each other. even though they walk our streets disguised as fears. masquerade as our fathers. wreak havoc. set us to spinning. to building. to hiding.

sentences

We pay for our words. Once uttered, they live forever; a string of vibrations from my mouth, my tongue, my teeth, my lips, which extend infinitely throughout space. For as many of these as I regret (those dark tapestries of misshapen syllables knotted, inextricably, by time and pain), there are those whose delicacy and light originated from the kindest, most sincere node of my black heart. And as those silvery words (of love) circle and snake their way across the globe, I hope they find you again, and again, and yet again - even if I don't.

the lonely bones

The lonely bones are what's left over. After we've finished this dish. Some was pleasant when it mattered and some was not. But all was spent towards this aim - the filling of our endless stomachs and sometimes even our hearts. We're old as saints. Young as prophets. We're children at tea time, sipping from empty cups; mother's best china. How long can we keep up this game? And will our plates ever be filled again?

what would break

Our bodies are dark with mystery. Cells, synapses, heart palpitations, electricity, water, inhalation and exhalation, pores, nerve endings, bones, plasma, veins, etc. Everything in our body works in perfect harmony with itself. Perfect balance and unity. All this without our knowing it.

So what would break if we were to open the munitions warehouse in our hearts (the one where we record everyone else's faults) and let it all go? Who would get hurt? Like America, we feel more comfortable from behind a loaded gun.

10 minutes

They held each other for 10 minutes at least. They held each other, even though their car was getting booted across the street.

When all is said and done, you can tell them how horrible I was - how I made you give me massages and never bought the toilet paper. If you want these mistakes you can have them. Mistakes we make because we're young and we still think all the stupid shit counts for something. Mistakes we make because we're afraid of being vulnerable to each other. Because someone told us love is possession and we believed them. Mistakes capitalism would be proud of because if we weren't preoccupied with having and didn't always want more no one would make any money off of us.

The light is getting thinner - as it does at sunset.
Colors don't actually exist, but we see them anyway.
I'd like to believe in will.
I'd like to believe in self-determination,
but I've got somebody else's gum stuck to my shoe
and all my mother's problems.

keeping account we
note each cent given to love-
always wanting more.