venice 2

It will never again be safe for you to leave the house. You might see me. (I am everywhere.) And if you did, your face would melt off. Or you would turn to stone. Or perhaps you are already stone.

I'm watching a man pick through the feathers of a blue Macaw - who may or may not be watching me back with his black eye. He edges onto the man's shoulder as a big dog nears. The dog (a Great Dane?) still has its balls. The Macaw's name is Rocky. Rocky's owner enjoys, as I do, the reactions of passerby's. I like seeing children reach out to touch the giant bird. They're so brave. He likes pretty women. Rocky is 21. Rocky may bury his owner. Macaws have a rather long life-expectancy. This one will live forever. Like Bunnicula. Or he'll die only to rise up again like a Phoenix. Like my heart in a blaze of fire and fury. You should be there the moment it happens. The fireworks. The color. Everything awash with love. It will be beautiful. When I'm ready and not until then.

Until then I amuse myself with other people's stories and try to fulfill my obligations honorably. I look down on a small patch of sidewalk from a table in a dirty cafe on Washington and pretend I don't see you there.

the tear

can happen fast. it can happen gradually. it can crack open like a fissure in the earth or be divided over time in layers. it can be like paper. or skin. it can hurt. the tear is sometimes invisible. something may look whole when in fact it is not. this is most people.

invisibility is something I've wished for lately. all the aching parts of me are so obvious. at the market or on the street it's easy. you avoid eye contact, keep to your self and fade into the background. this is impossible with family. with family, as on a goddamn packed flight to Los Angeles, you're bumped into constantly. you're seen. it's unavoidable.

my recent trip to new york completely unseated me. like being knocked off a horse and dragged several yards before losing consciousness. it was my cousin's wedding. it was a beautiful event I had trouble enjoying. the upside of all this business is that I know I'm still alive. I've experienced just about every variation of tearfulness known to me.

for instance

some tears sound like small animals. some hiccup like tired children. some wail. some possess the entire body. turn it inside out. squeeze air from the lungs until there's none left. some hide in the clenched jaw. in the stomach. some moan and rock like a seasick sailor. are captured by the eyelids. soaked like sponges around each crease smoothing them out. the slow but steady trickle. guilty tears. angry tears. tears which break us in half and prevent us from walking or standing up straight. grab hold of the shoulders and shake us violently. pass unseen from eyes to hands. whose marks remain as splashes on paper, spots of snot and blots of wetness on t-shirts or mascara stains on pillowcases. we wear them. we wash and try to iron them out. our faces.

I left yoga today feeling emotionally unsettled. During my practice I realized I wasn't completely there. Not necessarily because my attention had wandered, but because I was insecure. I had a very similar experience during Kung Fu not long ago, but had the added disadvantage of being distracted by a remote but powerful memory. In any case, I circumvented personal interaction with my teacher and headed for the door, for the safety of anonymity. Which, of course, led me to the local Starbucks where I purchased my comfort beverage of choice and a banana. I went outside to find a seat and was greeted warmly by an elderly gentleman who was sitting alone. I selected a seat at the table closest to his without hesitation.

It wasn't long before I realized this sweet little old man was thumbing through the pages of a XXX-rated sex magazine. This effected me in a way I couldn't have anticipated. Whatever response this man hoped to elicit I wasn't sure, but I did know one thing; he wasn't going to hurt me. This was inexplicably comforting. Whatever he held in his mind didn't matter. It had nothing to do with me and couldn't hurt me in any way. He was so obviously past the age of being capable of sexual violence, perhaps even sexual function.

I didn't leave for a while. Walking away I felt quieted and had the sense that this man represented something to me - perhaps my own unbalanced desires (sex being such an easy one for people to distort). Perhaps one day mine will wither and age. If I stop nurturing them they lose their power. Perhaps one day they will be as scary to me as this old man and his pictures, instead of the monsters they are now.

animal sleep

shy and resistant he places his 
head in my hand for a scratch.
having woken from animal sleep.
my basic weakness is this: your
hand any hand reaching I need to be
touched and to touch everything
with love. with curiosity. my 
need to know scratched tenderly.

Today I saw your faces everywhere I looked.
Tomorrow I will only ache to see them.

venice 1

I saw a homeless man a few nights ago

palms upturned, arms outstretched under a beam

of fluorescent light behind a convenient store in Venice.

He spoke softly to himself as we drove by.

It was the light of God, of knowledge,

and he was Jesus, Muhammad or Moses.

prayer 1

there are too many clocks in this house to be counted
each set to flow into every other. each moment pulling toward the next
like the sound of soup brought in through the front teeth
sitting alone perhaps in an italian restaurant

clocks, hands, teeth, checkered table cloths and
bread rolls, the moment I slipped out of the bath. all these converge.
our soup of membranes and casual conversation. our fucking
our loving. everything we make together holy