vignettes

I

A woman sits at a wobbly table in an urban cafe. The top of it is covered with post cards from foreign countries. She's waiting for someone. A man on a bicycle rides past wearing a woman's straw hat. It has a large plastic daisy on it which makes her think of Sundays in East Atlanta; black ladies climbing out of shiny Cadillacs on their way to church, everything matching - purple with purple, pink with pink, heels, belts, purses.

She is joined by a quiet companion. Will he remark on his bloody mary, her mimosa? Keys are exchanged. The scene ends simply. Everything left unsaid passes between them in silence, spilling out from their eyes. No one notices. A man at the table beside theirs continues to work on his crossword. Sips his coffee. It's only a moment. She pays the bill, gets up and walks out. There is no bell on the door to mark her exit.

II

Years earlier the same woman, a girl then with shorter hair, undresses hesitantly in an all-but-bare room. There's a mattress on the floor and a man on it in fetal position, wailing. She doesn't know why. Somewhere in her child-head she imagines her sacrifice can relieve his pain. She exists in a world of raw potential - vague notions and possibilities, magic and love. She still believes she can change things; she just doesn't know how.

from the North country

My husband's birthday is tomorrow.
I had a husband. He used to sing to me. I don't understand time. I don't understand time or love. But tomorrow I hope the sun shines in Atlanta or wherever he may be.

it may be too early for a diagnosis doctor,

but it seems as though her heart has stopped beating.

prayer 2

I'm going to count to ten.

When I get to ten I'll be strong,

the Strongest.

1

2

3

4

5

6

7

8

9

10

children 2

tonight I'm going to write about letting go. then I'm going to do it. not forcefully, like something being torn or wretched away. but gently, tenderly. the thing I'm letting go of will not even notice it's new freedom. the way a child's hand slips from yours as they run to some new toy.

ugly little things

I cried tonight after you left. At some point I must have decided there would be no more tears - that I have cried enough. Some cold, calculating part of me added them up and decided any more would appear too self-indulgent. So I cut my self off the way a bartender would. A person can get drunk on tears. They're addictive in large doses. But they are also healing and denying my self them, as I have other things recently, isn't healthy. I'm still punishing my self for being unlovable. We do that, you know. Lives are wasted on such self-flagellation. Not good enough. Not worthy. Or bad. These are addictive in large doses. As is denial. The gut-reaction is always to suppress. I've been jealous and sad - emotions which are, to me, unacceptable. They make me feel small and insubstantial. They make me feel so little. It's uncomfortable. It's hard not to turn away from my self in these moments. To give it the cold shoulder. To snub. But it's how we deal with pain, crisis and hardship that's really the test isn't it? When things are going great it's easy to open, to be welcoming to ourselves and others. When there's a surplus in our lives how hard is it to give? It's not. I've been sad before and saw how people treated it as infectious. They'd keep their distance from me as though it were viral. I always thought they were missing the easiest of opportunities for kindness. I realize now how I've been doing the same. I've been treating my own sadness and jealousy as diseases. They're not. They're more like a scab (irritating and itchy) that you just shouldn't pick off. Ugly little things yes, but part of the process.

'I love you', said the man.

'Strange that I feel none the better for it', said the woman.

A.R. Orage, On Love

twice I've woken

in bed

from earthquakes

only to realize

it was

my own body

shaking

somebody else's trash

I smoked a cigarette by the water today and thought about what I wrote last night. Everybody comes here to visit the beach. They get oiled up, fight over off-street parking and leave trash everywhere. There are lots of little crabs on the bottom of the canal. Our filthy canal. Should I add my cigarette butt to it? These little niceties are a drop in the bucket. 

If you don't give a shit about your self, why should I? Every decision carries an exact weight and has a quality which acts on the soul either to tear it apart or build it slowly. This I know for sure. Me? I threw mine away. You can do whatever you want with yours. 

venice 2

It will never again be safe for you to leave the house. You might see me. (I am everywhere.) And if you did, your face would melt off. Or you would turn to stone. Or perhaps you are already stone.

I'm watching a man pick through the feathers of a blue Macaw - who may or may not be watching me back with his black eye. He edges onto the man's shoulder as a big dog nears. The dog (a Great Dane?) still has its balls. The Macaw's name is Rocky. Rocky's owner enjoys, as I do, the reactions of passerby's. I like seeing children reach out to touch the giant bird. They're so brave. He likes pretty women. Rocky is 21. Rocky may bury his owner. Macaws have a rather long life-expectancy. This one will live forever. Like Bunnicula. Or he'll die only to rise up again like a Phoenix. Like my heart in a blaze of fire and fury. You should be there the moment it happens. The fireworks. The color. Everything awash with love. It will be beautiful. When I'm ready and not until then.

Until then I amuse myself with other people's stories and try to fulfill my obligations honorably. I look down on a small patch of sidewalk from a table in a dirty cafe on Washington and pretend I don't see you there.

the tear

can happen fast. it can happen gradually. it can crack open like a fissure in the earth or be divided over time in layers. it can be like paper. or skin. it can hurt. the tear is sometimes invisible. something may look whole when in fact it is not. this is most people.

invisibility is something I've wished for lately. all the aching parts of me are so obvious. at the market or on the street it's easy. you avoid eye contact, keep to your self and fade into the background. this is impossible with family. with family, as on a goddamn packed flight to Los Angeles, you're bumped into constantly. you're seen. it's unavoidable.

my recent trip to new york completely unseated me. like being knocked off a horse and dragged several yards before losing consciousness. it was my cousin's wedding. it was a beautiful event I had trouble enjoying. the upside of all this business is that I know I'm still alive. I've experienced just about every variation of tearfulness known to me.

for instance

some tears sound like small animals. some hiccup like tired children. some wail. some possess the entire body. turn it inside out. squeeze air from the lungs until there's none left. some hide in the clenched jaw. in the stomach. some moan and rock like a seasick sailor. are captured by the eyelids. soaked like sponges around each crease smoothing them out. the slow but steady trickle. guilty tears. angry tears. tears which break us in half and prevent us from walking or standing up straight. grab hold of the shoulders and shake us violently. pass unseen from eyes to hands. whose marks remain as splashes on paper, spots of snot and blots of wetness on t-shirts or mascara stains on pillowcases. we wear them. we wash and try to iron them out. our faces.

birdhouses

The electrical wires in this city crackle. The way a microphone might or speakers in a car which are blown out. I haven’t been here so long yet that I don’t pause to look up. I wait for them to fall on my head. Like twigs I expect them to snap. I’ve already been brought to trial. I sent a head-shot and a photo in my bathing suit ahead of me. It was enough. 

Everyone wants to know how I am. Only I can see the lines in my knuckles. Like dried earth. Andy Goldsworthy's garden of red leaves slide down my legs a cunt of thorns.

All girls draw their bodies as trees. And get tattoos of roses. There’s a birdhouse in the back yard I left unfilled. There is nothing here to eat.

children 1

if I give them what they want, they promise to forgive me. that's how much I mean to them. paper boats floating. then tipped over. each with its own little captain. and if I cry it makes them feel better. it makes their hope more buoyant. softens the blow. I resist placing my happiness in the hands of others. this makes me "selfish." my boat is supposed to be surrendered completely. without them even asking.

our last meal. my words still echo in our stairwell.

You ask me why I chose the things I did. Somehow every time I try to close my hand it's forced open down upon itself and straight through again. The point is I have no idea. You. And I. Are always at it's mercy. At my heart's whim. With no way to forgive it. There's nothing to forgive. 

things you shouldn't put in your mouth

hunks of rosewood and ebony were what you brought me this october the reason parents won't let children on halloween the soft sweet candy with something extra in-between 

i knew better than to carve myself into it but there were things i wanted to scream (FUCK YOU) some accusations but mostly just a robins egg or two that never hatched and i cried you were upset

force

tonight I am a prisoner in this house. paper mache breasts exposed. 
exonerate my true body under the light, words betray us. not birth-
mark fingerprints on a mirror or extra glasses emptied then edited
out or swallowed down it wasn't my real heart that stopped beating
but another. layers of glue and smeared headlines. a woman kid-
napped. taken into custody gunned down choking. on silence

P.

the story of a girl silhouetted by lamplight and mist. smoke swirling from her lit cigarette. a blotted scrap of paper she holds up to the light (trying to decipher its code). she thinks it means nothing and is right.

happiness is not enough

my hands work their way beneath your
shirt as you chop onions. a burst bulb

the kitchen offers only its half-light
a half-life. love is only a half-life.

half settling in the finger's bones to stay,
as if to stay. half going, going, gone with the

odor of onion washed from the lines
of the palm, the index finger, the thumb.

public and private

the doors were open. were dusty.

you had already squeaked your way back through the mud.
with the others. with your instruments.

lamp-light from the street outside. a lone chair.
a cello. I closed my eyes.

whatever you heard, you heard from the proper distance -
(perhaps walking away) and it was me as I am. 

not everything else.

Dancing at the Righteous Room

Somewhere it is written, people are supposed to be sad when something breaks. If you accept this without question, you're missing out. There is some utility and joy to be found, even in broken things, if one is only open to it. Loss is a poor excuse for sadness, and an even poorer excuse for lack of creativity and imagination.

This is how, despite our great loss, we found ourselves dancing to the Smiths in an almost-empty bar in the middle of the day. How appropriate, how phoenix-like, how poetic - our voices rising in unison to the chorus, "why do I give valuable time to people who don't care if I live or die."

Together we can stamp out world hunger, trigger events that will eventually lead to world peace, tip the scales of unhappiness in the universe and replace thousands of haters with lovers. Together we can do all this. You and I. Cannot be replaced, dear. Not with sadness.